An Italian friar, Gabriele Maria Berardi, claimed to have performed an exorcism on Dalí while he was in France in 1947. In 2005, a sculpture of Christ on the Cross was discovered in the friar’s estate. It had been claimed that Dalí gave this work to his exorcist out of gratitude, and two Spanish art experts confirmed that there were adequate stylistic reasons to believe the sculpture was made by Dalí.
In 1948 Dalí and Gala moved back into their house in Port Lligat, on the coast near Cadaqués. For the next three decades, he would spend most of his time there painting, taking time off and spending winters with his wife in Paris and New York.
Late in his career Dalí did not confine himself to painting, but explored many unusual or novel media and processes: for example, he experimented with bulletist artworks. (Bulletist or bulletism is an artistic process that involves shooting ink at a blank piece of paper. The result is a type of ink blot. The artist can then develop images based on what is seen. Salvador Dalí claimed to have invented this technique.) Many of his late works incorporated optical illusions, negative space, visual puns and trompe l’œil visual effects. He also experimented with pointillism, enlarged half-tone dot grids (a technique which Roy Lichtenstein would later use), and stereoscopic images. He was among the first artists to employ holography in an artistic manner. In Dalí’s later years, young artists such as Andy Warhol proclaimed him an important influence on pop art.% | % | % | % | % | % | % | % | % | % | % | % | % | % | % | % | % | %