Paul Outerbridge

Paul Outerbridge: photographer

Paul Outerbridge, Jr. (August 15, 1896 – October 17, 1958) was an American photographer prominent for his early use of, and experiments in, color photography. He was a fashion and commercial photographer, an early pioneer and teacher of color photography, and a creator of erotic nude photographs that, because they were considered too risqué at the time, could not be exhibited in his lifetime.

PHOT-Outerbridge-500-V-1

While still in his teens, Outerbridge worked as an illustrator and theatrical designer creating stage settings and lighting schemes. After an accident caused his discharge from the Royal Canadian Naval Air Service, in 1917, he enlisted in the U.S. Army where he produced his first photographic work.

"Ide Collar," 1922
“Ide Collar,” 1922

In 1921, he enrolled in the Clarence H. White school of photography at Columbia University. Within a year his work began being published in Vanity Fair and Vogue magazines.

"Socks And Gear," 1921
“Socks And Gear,” 1921

In London, in 1925, the Royal Photographic Society invited Outerbridge to exhibit in a one-man show.

"Necklace, Fan, Perfume," 1925
“Necklace, Fan, Perfume,” 1925

He then traveled to Paris and became friends with the artists and photographers Man Ray, Marcel Duchamp, and Berenice Abbott.

Portrait of Man Ray, n/d
Portrait of Man Ray, n/d

In Paris he produced a layout for the French Vogue magazine, met and worked with Edward Steichen, and built the largest, most completely equipped advertising photography studio of the time.

"Self Portrait," 1927
“Self Portrait,” 1927

In 1929, twelve of Outerbridge’s photographs were included in the prestigious German Film und Foto exhibition.

"Dessert,"
“Dessert,” c. 1930
"Pierrot," n/d
“Pierrot,” n/d

Returning to New York in 1929, Outerbridge opened a studio producing commercial and artistic work, and began writing a monthly column on color photography for the U.S. Camera Magazine. He became known for the high quality of his color illustrations, made by an extremely complex tri-color carbro process.

"Girl With A Fan," 1936
“Girl With A Fan,” 1936

In 1937, Outerbridge’s photographs were included in an exhibit at the Museum of Modern Art and in 1940 he published his seminal book Photographing in Color, using high quality illustrations to explain his techniques.

Portrait of a woman, c. 1939 - a fine example of Outerbridge's advancement in color photography
Portrait of a woman, c. 1939 – a fine example of Outerbridge’s advancement in color photography

His vivid color nude studies included early fetish photos and were considered “too indecent” under contemporary standards to find general public acceptance. The scandal created over his erotic photography led to Outerbridge retiring as a commercial photographer and moving to Hollywood in 1943.

"The Dutch Girl," 1936
“The Dutch Girl,” 1936
Paul Outerbridge - Woman with claws- ca. 1937
“Woman With Claws,” 1937
"Nude With Hat And Mask," 1937
“Nude With Hat And Mask,” 1937
"Insatiable Curiosité," n/d
“Insatiable Curiosité,” n/d

Despite the controversy, Outerbridge continued to contribute photo stories to magazines and write his monthly column. In 1945, he married fashion designer Lois Weir and worked in their joint fashion company, Lois-Paul Originals.

 “Self-Portrait on Lounge, Oceanside Resort”. 1950.
“Self-Portrait on Lounge, Oceanside Resort”. 1950

Paul Outerbridge died of lung cancer in 1958, at the age of 62. After his death, his widow sold or donated his work to various museums around the country, but the most significant portions of the estate ended up in the hands of two parties: the Laguna Art Museum and L.A. art dealer G. Ray Hawkins. The Laguna Art Museum deaccessioned much of its Outerbridge holdings in the mid- to late-’90s, prompting criticism from some art scholars who cited the collection’s historical importance to the city. For his part, Hawkins acquired and then sold Outerbridge’s personal archives (21 boxes’ worth of material) to the Getty Research Institute. But the gallerist retains a sizable collection of Outerbridge’s photographs as well as the copyright over most of his body of work.

Advertising photo, c. 1949
Tissue advertising photo, c. 1949

One year after his death, the Smithsonian Institution staged a one-man show of Outerbridge’s photographs. Although his reputation has faded, revivals of Outerbridge’s photography in the 1970s, 1990s, and today’s trend of “all things vintage,” have brought him into public awareness.

Advertising photo, c. 1950
Coffee advertising photo, c. 1950

 

"To the artist is given the privilege of pointing the way and inspiring towards a better life." ~ Paul Outerbridge
“To the artist is given the privilege of pointing the way and inspiring towards a better life.” ~ Paul Outerbridge

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Special thanks to: Daily Artfixx, On This Day, Wikipedia,
Find-A-Grave, A&E Bio, The Smithsonian American Art Museum Renwick Gallery, Famous Birthdays, Encyclopedia Brittanica, and all the art history buffs that keep the internet full of
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